I was taken in by two wolves whose whole diet was bacon. Each morning we shared the nine packs of bacon we fried then ran. We ran so fast the woods stretched a band of evergreen.
We ran faster than life. We watched the nine-year-old flower girls in the forest live out their whole lives. Each morning they lived and before the end of our daily run in the afternoon they died again.
Their hair curled brown to fall flat-white, their skin opaque before filling with light. Never mind the things they did. I named my favorite Heather. Her life and death,
mere markers on the trail. We ran so fast the fat in our arteries would expand then explode and collapse, spilling out and over like liquid cheese. It smelled like bacon, bacon all fat and no lean:
a treat. Our hearts came up our throats and out our mouths so tasty and we kept running. We were together and happy. We had everything and we could keep it. We ran past our own deaths, and when we came up on our hearts again we picked them up and swallowed them.
First published in “The Spectacle.”
The Left World
for Michael Torres
It was the sun that rose us each morning those few days on the mountain, wasn’t it? Me to walk the dew-locked grass that huge field you preferred to run first thing out the door, the little house. Remember, Michael? We’d meet on the sidewalk to head to breakfast, the only two of us up that early, first witness to what the night left, me always looking down, you always looking in front missed the crimson specks in a row on the cement I couldn’t help but think was blood I’d follow to a morbid, magic world to swim then drown in. Michael, I turned to you, said, there’s so much blood. There’s just so much blood everywhere, we said. At sunset, the clouds fell early, thick on themselves, to the ground, and like you, Michael, I’d always wanted to walk the sky, so we went. The mosquitos inside were giant. We were so unnerved we itched twice as much in our long sleeves the number of their stealthy bites. Why had we been laughing, Michael? On the ground, there’s everything to face in the world that’s left, the world we left in the clearing behind us, and I get it, Michael, you have more than yourself to think about, but even so, remember when I said look at how the people enter gently here and are swaddled softly off the horizon. We confessed, We could just make off into all that fog and disappear.
Dustin Pearson is the author of A Season in Hell with Rimbaud (BOA Editions, 2022), Millennial Roost (C&R Press, 2018), and A Family Is a House (C&R Press, 2019). In 2019, The Root named Dustin one of nine Black poets working in “academic, cultural and government institutions committed to elevating and preserving the poetry artform.” He is an Assistant Professor in the Department of English Language and Literature at the University of Toledo where he teaches creative writing.