The dead go tick-tock The space the living occupy by their heartbeats the dead occupy by the ticktock of a clock
The clocks overflow with the wheezing of old, weary patients Those clocks that suck all room light And a sound, a fleshless boneless sound Like all such sounds, from far away, far far away A sound that fills the basin vacated by light A sound that upon striking human matter splits into two objects:
Cradle and Grave
Gravestones emit door creaks So do my blinking eyes My eyes, clamps that squeeze things And my head is between my two hands: My God!
It is the same howl that inhabits all skulls It leaks through bones and rots flesh, this howl Our teeth clatter with the same fear, death is a fraternity And there, a joke of a human! moaning and groaning, responds to that distant sound
I Can Reflect Light as Much as Anyone
this is an improvised poem, today is october sixteenth two thousand and six, one must start somewhere, i’m here, i’m at the tip of something, everything grows from its tips, i’m at the growing tip of something, i was going to tell you, i wanted to tell you, with words, using empty words is easier than moving your limbs about loosely, but you’d rather watch, it’s better than listening, read these lines slowly, you won’t find me on the next page, nor for that matter on previous pages, in my hideout i found solace in the belief that i was being sought, if i survived i did so by imagining the turmoil i’d cause when i reappeared, yes, there is something foolish about this, but i fled from you, i carried the pride of fleeing from you during all those fleeting years, the waiting room of a government office, a long dining table, a cocktail party at a hotel lobby, the thought that we might run into each other at these places scared me to death, i’m now at the only place i dare venture, i myself prepared the stage where i can afford to be seen, i stripped off my mask for this game see, where are you, a thousand people are watching me apparently, that’s great, i only ever cared about your eyes, for many years i feared you’d catch me in one of those queues holding my petition, i couldn’t let you see me knocking on that door with my wrapping paper in hand, but i’ve torn up my petition now, and slammed the door, where are you, if only i could find you, find in your eyes the fatigue of words that have never encountered me, it’s clear you won’t forgive me for all those years i ran away from you, still wouldn’t you care to make an appearance for me, don’t make me say gone once gone forever, one can settle on a course and set out on that path from anywhere really, see what’s left behind from anywhere if only one’s got a sense of direction, i’m here, because what i needed was a total failure, there is no ‘reason’ beyond my control, all reasons are in my chest, but alas the shirt i have on has no buttons so i can’t bare my chest, if i were to tear it off, and stand naked, they’d call me mad, they’d say what he took off and flung to the ground was a madman’s gown anyway see, the key is simply to venture into the light, once i do that i can reflect light as much as anyone, to reflect light is to find words before your eyes, yet i’ve never confronted those eyes, there’s never been any distance between us that would let you see me, never have i overcome any hurdles, nor known any distances, to stir is to exhaust a hope through movement before your eyes, i stood still between the lines, one must end somewhere, today is october sixteenth two thousand and six, this is an improvised poem.
Translated by Buğra Giritlioğlu, Daniel Scher
Mehmet Erte (born 1978) is a contemporary Turkish poet-writer. He completed his undergraduate studies in Physics at Sakarya University. His first poem, “Yıldırımları Beklemek” (Awaiting the Lightenings), was published in the literary journal Varlık in 1999. Erte’s poems, short stories, essays and interviews have been published in various literary journals, such as Varlık, Kitap-lık, and Yasakmeyve. In 2003, Erte’s poetry collection Suyu Bulandıran Şey (What Muddies the Water) won the Yaşar Nabi Nayır Poetry Award and was published as a book. His first short story collection, Bakışın Kirlettiği Ayna (The Mirror Smeared by the Looking) (May 2008), his second poetry collection, Alçalma (Humbling) (February 2010), his first novel, Sahte (Fake) (June 2012), and second short story collection, Arzuda Bir Sapma (A Swerve in Desire) (April 2015), were published by Yapı Kredi Yayınları (YKY). His two poetry collections were combined into one book by the publisher zoomkitap in 2016. He has worked as an editor for Yasakmeyve for two years. He is currently the Editor of Varlık Publications and of Turkey’s longest-standing literary journal Varlık, due to celebrate its 86th anniversary in 2019.