Samida (man-made forest) estab Sri Baduga Maharaja aka Prabu Siliwangi (1474-1513) ruler of Sunda kingdom Batulis inscription to protect seeds of rare trees > destroyed sixteenth century 1744 Dutch East India Co. > Raffles 1811 English style gardens > Teijsmann 1830-80 curator 1848 four seeds of West African oil palm (Oh no!)
WWTwo the Japanese curators saw off the soldiers, their axes
Samida Pakuan Pajajaran visited by Tome Pires 1513 Banten Tangerang Cimanuk Tome Pires ‘has well-built houses of palm-leaf & wood. They say the king’s house has three hundred & thirty wooden pillars as thick as wine casks.’ Seventeenth century rainforest & tigers a row of banyan trees all that was left
the contaminated site
palm oil> Ordre Baru
BOGOR III
the good king [as in a fairy tale] planted the seeds of rare trees
the heat drifts in the mist
[his workers] dug a lake for agriculture & for beauty
the cool dripping morning is a blessing
internecine strife under the pendopo shade the Portuguese agree construct the moat
much talking on a cloudy afternoon
but no according to the Cerita Parahiyangan sixteenth century
‘war came to’ 1579 ‘war came to Kalapa, to Galuk, to Datur, to Madiri, to the Portuguese – war came, all gone, all destroyed, all…’
occupied by Demak and Cirebon, the forests are burning
one last row of banyan trees providing shade for tigers
the Sunday crowds colourful music lights the air
Bogor Botanical Gardens
resting on the thousand leaves the tangled roots the memory of saplings
the Samida forest
Jennifer Mackenzie is a poet and reviewer, focusing on writing from and about the Asian region. Her most recent publication is Borobudur and Other Poems (Lontar, Jakarta 2012), and she has presented her work at a number of conferences and festivals, including the Ubud, Irrawaddy and Makassar festivals. Her poetry and criticism has appeared in a number of journals including Literary Shanghai,Cordite Poetry Review, Mascara, Cha, and Sydney Review of Books. In 2016 she had a residency at Seoul Artspace_Yeonhui, and is currently working on a new Indonesia-focused project, Navigable Ink, as well as a collection of essays, Writing the Continent. Her Masters’ thesis (University of Melbourne) was on the historical fiction of Pramoedya Ananta Toer, and she has also studied Indonesian at Universitas Gajah Mada.