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      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
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      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
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ISSN: 0974-3057 

The Enchanting Verses Literary Review
Issue-XVIII  April 2013
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Painting by Saeed Siadat
Click on the painting above to read the E Book version of The Enchanting Verses Literary Review
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ISSUE XVIII dedicated to Ted Hughes

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Ted Hughes is consistently described as one of the twentieth century’s greatest English poets. Born August 17th, 1930 in Mytholmroyd, Yorkshire, his family moved to Mexborough when he was seven to run a newspaper and tobacco shop. He attended Mexborough grammar school, and wrote his first poems from the age of fifteen, some of which made their way into the school magazine. Before beginning English studies at Cambridge University (having won a scholarship in 1948), he spent much of his National service time reading and rereading all of Shakespeare. According to report, he could recite it all by heart. At Cambridge, he he 'spent most..time reading folklore and Yeat's poems,' and switched from English to Archaeology and Anthropology in his third year. 

His first published poem appeared in 1954, the year he graduated from Cambridge. He used two pseudonyms for the early publications, Daniel Hearing and Peter Crew. From 1955 to 1956, he worked as a rose gardener, night-watchman, zoo attendant, schoolteacher, and reader for J. Arthur Rank, and planned to teach in Spain then emigrate to Australia. February 26 saw the launch of the literary magazine, the St Botolph's Review, for which Hughes was one of six co-producers. It was also the day he met Sylvia Plath; they were married in four months. 

Hughe's first book of poems, Hawk in the Rain, was published in 1957 to immediate acclaim, winning the Harper publication contest. Over the next 41 years, he would write upwards of 90 books, and win numerous prizes and fellowships including the following (in that order): 

Harper publication contest, Guiness Poetry Award, Guggenheim fellowship, Somerset Maughan award, city of Florence International Poetry Prize, Premio Internazionale Taormina Prize, Queen’s Gold Medal for Poetry, OBE, vote for the best writing in English in the New Poetry Poll, Whitbread Book of the Year, W.H. Smith Literature award, Forward Prize for Poetry, Queen’s Order of Merit, T.S. Eliot Prize for Poetry, South Bank Award for Literature, Whitbread Prize for Poetry, and the Whitbread Book of the Year again. 

In 1984, he was appointed England’s poet laureate. 

Hughes is what some have called a nature poet. A keen countryman and hunter from a young age, he viewed writing poems as a continuation of his earlier passion. ‘This is hunting and the poem is a new species of creature, a new specimen of the life outside your own.’ (Poetry in the Making , 1967) 

Hughes and Plath 

A strong indirect source of interest in the person of Hughes (aside from his poetry) is his seven-year marriage to the well-known American Poet, Sylvia Plath. Birthday Letters is a sequence of lyrics written by Hughes in the first year of their marriage, cast as a continued conversation with Plath. 

When Plath committed suicide in 1963 (they had separated in 1962), many held Hughes responsible for her death as a consequence of his adulterous relationship with Assia Wevill; recent biographies such as Elaine Feinstein’s Ted Hughes: The Life of a Poet have attempted to ‘set the record straight and clear the air of rancor and recrimination’ (Brooke Allen, The New York Times ). 

Though deeply marked by the loss, Hughes was publicly silent on the subject for more than 30 years out of his sense of responsibility to protect the couple's two young children, whose perceptions of their mother would have otherwise been impossibly spoiled by external interference. The publication of Birthday Letters has been seen as a 'retaking' of the histories that had been stolen from the family through the cracks in the armour. 

Quotes 

‘Each image denotates another, so that the whole poem throbs’ – Edward Lucie Smith on Hughes’ poetry, British Poetry since 1945 

‘Imagine what you are writing about. See it and live it.’ –Ted Hughes, Poetry in the Making 

‘You write interestingly only about the things that genuinely interest you. This is an infallible rule.. in writing, you have to be able to distinguish between those things about which you are merely curious –things you heard about last week or read about yesterday- and things which are a deep part of your life… So you say, ‘What part of my life would I die to be separated from?’ –Ted Hughes, Poetry in the Making 

‘It is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions in the head and express something – perhaps not much, just something – of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are.’-Ted Hughes, Poetry in the Making

Contents

Enchanting Poet Award Winner

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B. R. Dionysius  Pages: 3-4

Editor's Choice

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Vladimir Martinovski  Page: 5

Other Poems

J.S. MacLean                    Page: 6

Conrad Geller                    Page: 7

John Grey                         Page: 8

Samantha Seto                 Page: 9

Goirick Brahmachari          Page: 10

John W. Sexton                Page: 11


Rufo Quintavalle                Page: 12-13

Adam Pettet                     Page: 14

Cralan Kelder                    Page: 15

Abhay K                           Page: 16

Mandal Bijoy Beg              Page: 17


Articles

Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations by Dr. Pallavi Srivastava               Page(s): 18-25

The Moping Owl : the Epitome of Melancholy  by  Zinia Mitra                                                                                  Page(s): 26-33

Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe                                              Page(s): 34-41



©2013 The Enchanting Verses Literary Review
 NO PART OF THE CONTENTS OF THE ISSUE-XVIII OR THE WEBSITE CAN BE COPIED FOR COMMERCIAL OR OTHER PURPOSES WITHOUT THE WRITTEN PERMISSION OF THE ENCHANTING VERSES LITERARY REVIEW 

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  • Home
  • About Us
    • Contact
    • Media Coverages
    • Copyright Notice
    • VerseVille Blog
  • Submissions
    • Poetry and Essays Guidelines
    • Book Review Guidelines
    • Research Series Guidelines
  • Masthead
  • Editions
    • 2011 Issues >
      • ISSUE-XIV November 2011
    • 2012 Issues >
      • ISSUE-XV March 2012
      • ISSUE-XVI July 2012
      • ISSUE-XVII November 2012
    • 2013 Issues >
      • ISSUE-XVIII April 2013
      • ISSUE XIX November 2013
    • 2014 Issues >
      • ISSUE XX May 2014
    • 2015 Issues >
      • ISSUE XXI February 2015
      • Contemporary Indian English Poetry ISSUE XXII November 2015
    • 2016 Issues >
      • ISSUE XXIII August 2016
      • Poetry From Ireland ISSUE XXIV December 2016
    • 2017 ISSUES >
      • ISSUE XXV August 2017
      • ISSUE XXVI December 2017
    • 2018 ISSUES >
      • ISSUE XXVII July 2018
      • ISSUE XXVIII November 2018
    • 2019 Issues >
      • ISSUE XXIX July 2019
    • 2020 ISSUES >
      • Issue XXX February 2020
      • ISSUE XXXI December 2020
  • Collaborations
    • Macedonian Collaboration
    • Collaboration with Dutch Foundation for Literature
  • Interviews
  • Prose on Poetry and Poets
    • 2010-2013 >
      • Sylvia Plath by Dr. Nidhi Mehta >
        • Chapter-1(Sylvia Plath)
        • Chapter-2(Sylvia Plath)
        • Chapter-3(Sylvia Plath)
        • Chapter-4(Sylvia Plath)
        • Chapter-5(Sylvia Plath)
        • Chapter-6(Sylvia Plath)
      • Prose Poems of Tagore by Dr. Bina Biswas >
        • Chapter-1(Rabindranath Tagore)
        • Chapter-2(Rabindranath Tagore)
        • Chapter-3(Rabindranath Tagore)
        • Chapter-4(Rabindranath Tagore)
        • Chapter-5(Rabindranath Tagore)
        • Chapter-6(Rabindranath Tagore)
        • Chapter-7(Rabindranath Tagore)
        • Chapter-8(Rabindranath Tagore)
        • Chapter-9(Rabindranath Tagore)
      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
        • Chapter 2(Nazrul Islam)
        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
        • Chapter-2 Dr. Vicky Gilpin
        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
  • Print Editions