Someday we’ll just be pictures on the wall— Maybe one framed smile sitting on a desk And these jackboots won’t bother us at all
Just flip a switch: watch midnight fill the hall Scroll down the screen embrace forgetfulness Next year, we could be pictures on the wall
I used to think good lovin said it all The sleep of gods—that post-orgasmic rest And jackboots hardly touched my life at all
Let some ole redneck sing this with a drawl: We was two birds jukin the same nest Pretty soon we’ll both be quiet on the wall
Wish I could trade places with a doll: Look stupid at the news and wear a plastic dress And never think about this shit at all
In a thousand years, won’t English be a scrawl? A ravaged Latin half-scribbled for a test These jackboots: hated faces on some wall
Think I better tromp around the mall: Stare down a mannequin like a man possessed Not let bad blood bring me down at all
Or maybe I’ll confess a personal flaw— Go tell my mom, his life is just a mess!
Someday I’m gonna smile from the wall And these jackboots won’t bother me at all
FROM AN INTERVIEW WITH THE JACKAL
Gettin old— still don’t know why I am what I am.
Do you? But I’d been a sniper in the army and after a while, laying a man down— especially with a silencer— felt like putting him to bed, like putting my baby boy to bed, closing his eyes with a kiss.
Other times, I loved the impact: the head snapping back— like JFK’s. (You seen the Zapruder film? You think Oswald did that?)
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Everything takes practice. I practice everything: patience, maximum distance, an exact feel for the wind,
understanding the light on a face in the crosshairs. Right then,
I get the same swerve in my gut you got first time you held hands with a girl.
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It really started with a dare: years ago, bitching about the city,
friend’a mine said, “Bet you ten-grand you won’t kill the mayor.”
Anyway, that next week, it’s evening: Front door opens. I’m down the block,
behind some blue SUV. He bends down, pets the cat. Next thing: a hole in his neck.
Corrupt prick. I’d seen him gladhanding at rallies, dancing like some sort of retarded robot. Him and his fat-fuck, klepto buddies tickling each other’s nuts.
On TV, his wife could hardly hide her relief. She tried to look “distraught,” but no one was buyin it.
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Don’t get me wrong: I’m no avenging angel. I’ve taken good men. Counts right? I work—
Like sweating a day on any job. You get through it.
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And I know I’ve moved the world.
Hard to figure how much. I mean it’s possible I’ve ruined Everything
but c’mon. This is a bad dance. Gotta change the music.
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Look, I’m no monster either. When I was sixteen, I worked a slaughterhouse.
A chicken’s eyes tell you he wants to live. People think they’re dumb
but they want tolive.
And most days I’d go home sad. Some nights, I didn’t sleep. Funny:
my gentle wife can gnaw on a wing like it was never attached to anything.
Tim Seibles is the author of several books of poetry including Hurdy-Gurdy and Buffalo Head Solos, published by the Cleveland State University Poetry Center. His fifth collection, Fast Animal, published by Etruscan Press, was a finalist for the 2012 National Book Award and winner of both the Theodore Roethke Memorial Poetry Prize and Pen Oakland Prize for Poetry. In 2017, his book One Turn Around The Sun was released. As the Poet Laureate of Virginia from 2016 to 2018, Seibles traveled the state as an ambassador for poetry. His new and selected collection, Voodoo Libretto was released by Etruscan in 2022. With No Hat, his latest, will be published in 2026.