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      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
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        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
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        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
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My Lover, My Body

by Gonca Özmen

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                                                                                     “the body is the most imaginary of all imaginary objects.”
                                                                                                                                               Roland Barthes
 
My lover, my body…when did I first notice you? First listen to you? When, where and how did I first grasp that you were a map full to the brim with meaning? When did I first read you? And when and how did I first come to love you?
My lover, my body…. even the poets I admire so much depict you as an object destined to give sexual pleasure. You are seen as passive, silent and dangerous. You are stripped of desire, something that must never be heard, but must instead, be hidden away. You are controlled and supressed; you are loved and killed.

 
My lover, my body… if only you knew how hard it is for a woman to love her own body…for a woman to understand her own body before anyone and anything else …to feel its uniqueness…to add wings to it…and soar freely with it…
Because the female body is under siege… in truth, we can say that it is a war zone, a site of contention. The belief that the body, but most especially the female body, is a source of sin is something that has been prevalent in many cultures. Through the ages the forbidding mind has drawn back in fear from the female body, leaving it trapped between the circles of dread and desire, and so its history is entwined with the history of repression itself.
My lover, my body… morals and religions, customs and laws agree that you are a proscribed book. You are obliged to mask itself, to reign in its desires. Erotic gratification has always been something granted solely to the male, not to you. In fact, your duty has been to act as the supplier of that gratification. You are, after all, merely a vessel that enables reproduction. Devoid as you are of a mind you are checked on all four sides just in case you might slip and make a “mistake”. Your father, brother and husband; your society, religion and state, each, at some stage will do your thinking for you. If not, you might, perhaps, be killed in affection, beaten to pulp in the deepest love, strangled or stabbed with the greatest care; perhaps, because some devil has managed to get inside you, they will burn you alive. The erect penis will obliterate you. For what would be the point of sustaining that erection, of keeping it hard before all and sundry?
My lover, my body… how you stifled a scream when first you became a shelter for two. Every part of you, both the seen and unseen, cried out to be heard. At times I grew very frightened of you, at other times you amazed me. It was then that I first really noticed you as you became the giver of both life and death. How deeply woven into each other these two forces are. However, there is nothing of the “sacred” about any of this. Instead, you were prey to wild hormonal fluctuations and extremes of sensitivity; there were difficulties, deprivations and an ever-rising sense of fear and worry. And all the while you continued to expand and grow…during those long and arduous hours of labour, in spite of your blood, pus, water and pain soaked efforts to give birth naturally the baby was stuck in breech position. And so…as there was no other choice left to you. Right down the middle you’re split and not like some melon some pomegranate. Then something strange is placed into your still bewildered arms… something you can’t even hold properly…as for you, my body, you are left like a shriveled up balloon that was blown up and blown up before having all the air sucked from it…how long will it take for it to recover, who knows…but at this moment the centre of everything is this little girl. With her, you take the first tentative steps towards healing, towards living.  
My lover, my body… another path then opened up. A path to be walked in tandem. Once again you came to know life, to feel desire and to revel in sound. Before another love came calling, a love, however, that society did not deem dependable. For there was no ring, no home, no wedding bells, it was an “unlawful” love. And ah…what then is this: you scream out again…my body...once again.
My lover, my body… this time you have no strength, no will, you are comforted by no sense of security. Instead you are riddled with fear, with anxiety, with a feeling of disquiet. 
My lover , my body… there was then six hours of fasting, veins found for injecting, boredom even fainting, a local anaesthetic, a repeated burrowing down into the skin, then ceaseless, ceaseless bleeding, drugs, credit cards, checks, legs spread wide open, fear, strange looks, a whole range of guilt.


My lover, my body…Pain, abandonment, shame and trauma: all are entwined here. Up on those tables, legs splayed out, you are nothing but a nameless and dumb “thing”. Your body is solely what remains behind after all is done. You are left staggered and bewildered. Wrapped up in guilt. Everything has been programmed to make you feel the deepest remorse. Yet, you do not have the words to express what your body has been through. For you continue to carry something bunched up in your womb.
My lover, my body… before your eyes then are the bodies of all those other women who could not chose, whose choice was take away from them, who were left pregnant after rape, abused by a relative, who were gagged and forced, whose right to an abortion was taken away from them by the state, who died in lonely places trying to force themselves to miscarry- and those who bled and bled and bled. Fascism, in the guise of the hand of the state, reaches into your vagina, into your womb. It has no sense of shame. It does not ask for permission. It takes every decision on your behalf. In these lands of ours the state has been responsible for the death of countless children. Simone de Beauvoir summed this up when she suggested many years ago that societies that obsessed over the foetus in a mother’s womb tended to care nothing for children once they were born. This is why, without delay, all those powers that have come to represent the erect penis must be emasculated. Because my dear daughter…
… your body is your lover too. There will be those who will try to turn it into a source of shame. Into a realm of captivity. Everybody will have an opinion on what is apt for your body. Many will demand you hide it away, be ashamed of it and even scorn it. This is how male authority consolidates its power. Your identity will be bruised; it will be battered. You will be easily led, manipulated and suppressed. They will not tell you that your body is the key to your freedom. Or let you know that it is, in fact, a book of desire…
My daughter, your body is your lover too. Do not forget this. Revel in the smell of its sweat. Come to know the feel of its skin. Be aware of its every shape and contour, for you are your body. It is your very self, your freedom. Let no one call it a book of sin as it is…instead, the book of all that you are. Read it well…
 
                                                                                                             
Translated by Neil P. Doherty

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Gonca Özmen (1982) is one of the most remarkable poets of her generation. Her work both partakes of and breaks with tradition. She is known for a poetry that is lyrical, humorous, political, playful, and subversive. She specifically challenges the traditional images of private and public lives, the dialectics of self and other, past and present, nature and culture dichotomy, gender roles and body politics. Her poetry emerges from the rich oral tradition of songs, laments, rhymes, riddles and tongue twisters. Tone is crucial in shaping context. In 1997 -at the age of 15- her first poem was published in Varlık, a prestigious literary magazine. She was also selected as “a poet for the future”. The publication of her debut collection Kuytumda (In My Nook) in 2000 garnered much attention. Two more collections followed: Belki Sessiz (Perhaps Silent) and Bile İsteye (Knowingly, Wilfully), as well as numerous essays and articles. She has published three collections to date abroad: The Sea Within by Shearsman in 2011 and Vielleicht Lautlos by Elif Verlag in 2017. A third collection was published by LAG in Macedonian in 2023. She studied English Language and Literature at Istanbul University, and was awarded a Ph.D. in 2016 for a thesis on the politics of the cubist representation of the female body in contemporary female ekphrastic poetry. She is an active translator with five children’s books to her credit, including one by Sylvia Plath whose Collected Poems she is currently translating.  
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​VerseVille (formerly The Enchanting Verses Literary Review) © 2008-2025    ISSN 0974-3057 Published from India. 

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  • Home
  • About Us
    • Contact
    • Media Coverages
    • Copyright Notice
    • VerseVille Blog
  • Submissions
    • Poetry and Essays Guidelines
    • Book Review Guidelines
    • Research Series Guidelines
  • Masthead
  • Editions
    • 2011 Issues >
      • ISSUE-XIV November 2011
    • 2012 Issues >
      • ISSUE-XV March 2012
      • ISSUE-XVI July 2012
      • ISSUE-XVII November 2012
    • 2013 Issues >
      • ISSUE-XVIII April 2013
      • ISSUE XIX November 2013
    • 2014 Issues >
      • ISSUE XX May 2014
    • 2015 Issues >
      • ISSUE XXI February 2015
      • Contemporary Indian English Poetry ISSUE XXII November 2015
    • 2016 Issues >
      • ISSUE XXIII August 2016
      • Poetry From Ireland ISSUE XXIV December 2016
    • 2017 ISSUES >
      • ISSUE XXV August 2017
      • ISSUE XXVI December 2017
    • 2018 ISSUES >
      • ISSUE XXVII July 2018
      • ISSUE XXVIII November 2018
    • 2019 Issues >
      • ISSUE XXIX July 2019
    • 2020 ISSUES >
      • Issue XXX February 2020
      • ISSUE XXXI December 2020
    • 2021 ISSUES >
      • ISSUE XXXII August 2021
    • 2022 ISSUES >
      • ISSUE XXXIII June 2022
      • ISSUE XXXIV December 2022
    • 2023 ISSUES >
      • ISSUE XXXV August 2023
      • ISSUE XXXVI December 2023 Indian Poetry
    • 2024 ISSUES >
      • ISSUE XXXVII October 2024 Bengali Poetry
    • 2025 ISSUES >
      • ISSUE XXXVIII January 2025 Balkan Poetry
      • ISSUE XXXIX August 2025
  • Collaborations
    • Macedonian Collaboration
    • Collaboration with Dutch Foundation for Literature
  • Interviews
  • Prose on Poetry and Poets
    • 2010-2013 >
      • Sylvia Plath by Dr. Nidhi Mehta >
        • Chapter-1(Sylvia Plath)
        • Chapter-2(Sylvia Plath)
        • Chapter-3(Sylvia Plath)
        • Chapter-4(Sylvia Plath)
        • Chapter-5(Sylvia Plath)
        • Chapter-6(Sylvia Plath)
      • Prose Poems of Tagore by Dr. Bina Biswas >
        • Chapter-1(Rabindranath Tagore)
        • Chapter-2(Rabindranath Tagore)
        • Chapter-3(Rabindranath Tagore)
        • Chapter-4(Rabindranath Tagore)
        • Chapter-5(Rabindranath Tagore)
        • Chapter-6(Rabindranath Tagore)
        • Chapter-7(Rabindranath Tagore)
        • Chapter-8(Rabindranath Tagore)
        • Chapter-9(Rabindranath Tagore)
      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
        • Chapter 2(Nazrul Islam)
        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
        • Chapter-2 Dr. Vicky Gilpin
        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
  • Print Editions