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      • Kabir's Poetry by Dr. Anshu Pandey >
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      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
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      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
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VerseVille Blog

“HONEY I SHRUNK THE VERSE" by Nidhi Mehta

6/3/2011

 
                                                                                                                               

                                                                FROM EPIC TO HAIKU

Poets and writers like Homer, Dante Alighieri, John Milton, Vyasa and Valmiki  perhaps used their spare time speculating, perhaps gazing at the stars in wonder or just the brick walls or thatched roofs and at the marvels of nature and an eternity just thinking and aspiring. They wrote long poems, namely epics which still are one of its kind and none dare to follow them in their intricate and immaculate aesthetics. Epics like Iliad, Odyssey, Mahabharata and Aeneid were read by people of those times and are still able to capture the imagination of people young and old.

         Now with incredibly fast paced life and technology, aspiring writers and readers spend much of their time social networking on sites such as facebook or Twitter. Does one ever ‘stand and stare’ at things now-a-days without being considered a weirdo of some kind? Shrinking interests have shrunk the verse too. Micro poetry like haiku, senryu, sapphic,  tanaga, tanka, quincouplet and byte are what one would term the ‘in’ forms of poetry. We can find poets and readers enjoying it in clubs, parties and reading sessions as it saves time, energy and easy to email or text.

         What about the rhythm, rhyme, music, poetic diction and resonance, aspects of poetry which differentiates poetry from other genres? What about the imagery of ‘azure blue sky’ and its comparison to the beloved’s eyes, the free fall of imagination and beauty of saying a thing in umpteen ways. I agree, we may feel compelled at times being short of words or may just not have the patience and resort to one liners .For some they might act as teasers, a brainy thing, simple and much easy way to deliver emotions but the whole process takes away the beauty.

         Poetry is all about emotions, feelings and delivering them in a rythmic form, a form that plays on our senses, so why not let it flow without restricting it with commas, periods, colons or for that matter even words till it merges in the sea of our understanding and appreciation.

pradeep
6/5/2011 10:00:04 pm

True. Though I am not in sync with the current and old poetic trends, but yes a short and witty statement , now a days, attracts one's attention MORE as compared to a lengthier one, be it a poem, statement or comment.

Beautifuly stated that: "Poetry is all about emotions, feelings and delivering them in a rythmic form, a form that plays on our senses, so why not let it flow without restricting it with commas, periods, colons or for that matter even words till it merges in the sea of our understanding and appreciation."


However it seems that "change" is engulping everything, including poetry.

nidhoom@gmail.com
6/6/2011 01:17:32 am

Thanx a lot Pradeep....i value your thoughts.

Jitender link
6/7/2011 07:58:42 pm

Nidhi I can understand your concerns. I believe that society is a very dynamic thing. It is ever changing. There was a time when man didn't knew how to write....then learnt to draw characters and then developed grammar and more complex ways of expressing ourselves....with time everything keep getting more and more complex....so change,probably, is a rule of nature and we most accept it. Life now is no more as it was a few centuries ago....we have change the way we live, travel, eat , wear and poetry is no exception. Can we think of moving out of our luxuries and living in a small hut in the middle of jungle without worrying for friends,family, career......?

nidhoom@gmail.com
6/8/2011 04:00:25 am

so true Jitender...i agree to an extent as change is inevitable but at the same time we should not forget or leave behind what needs to be treasured for the future, for the sake of its originality...that is the beauty and necessity of any civilization...to adopt the new(change) and preserve the old(traditional).


Comments are closed.

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  • Home
  • About Us
    • Contact
    • Media Coverages
    • Copyright Notice
    • VerseVille Blog
  • Submissions
    • Poetry and Essays Guidelines
    • Book Review Guidelines
    • Research Series Guidelines
  • Masthead
  • Editions
    • 2011 Issues >
      • ISSUE-XIV November 2011
    • 2012 Issues >
      • ISSUE-XV March 2012
      • ISSUE-XVI July 2012
      • ISSUE-XVII November 2012
    • 2013 Issues >
      • ISSUE-XVIII April 2013
      • ISSUE XIX November 2013
    • 2014 Issues >
      • ISSUE XX May 2014
    • 2015 Issues >
      • ISSUE XXI February 2015
      • Contemporary Indian English Poetry ISSUE XXII November 2015
    • 2016 Issues >
      • ISSUE XXIII August 2016
      • Poetry From Ireland ISSUE XXIV December 2016
    • 2017 ISSUES >
      • ISSUE XXV August 2017
      • ISSUE XXVI December 2017
    • 2018 ISSUES >
      • ISSUE XXVII July 2018
      • ISSUE XXVIII November 2018
    • 2019 Issues >
      • ISSUE XXIX July 2019
    • 2020 ISSUES >
      • Issue XXX February 2020
      • ISSUE XXXI December 2020
    • 2021 ISSUES >
      • ISSUE XXXII August 2021
    • 2022 ISSUES >
      • ISSUE XXXIII June 2022
      • ISSUE XXXIV December 2022
  • Collaborations
    • Macedonian Collaboration
    • Collaboration with Dutch Foundation for Literature
  • Interviews
  • Prose on Poetry and Poets
    • 2010-2013 >
      • Sylvia Plath by Dr. Nidhi Mehta >
        • Chapter-1(Sylvia Plath)
        • Chapter-2(Sylvia Plath)
        • Chapter-3(Sylvia Plath)
        • Chapter-4(Sylvia Plath)
        • Chapter-5(Sylvia Plath)
        • Chapter-6(Sylvia Plath)
      • Prose Poems of Tagore by Dr. Bina Biswas >
        • Chapter-1(Rabindranath Tagore)
        • Chapter-2(Rabindranath Tagore)
        • Chapter-3(Rabindranath Tagore)
        • Chapter-4(Rabindranath Tagore)
        • Chapter-5(Rabindranath Tagore)
        • Chapter-6(Rabindranath Tagore)
        • Chapter-7(Rabindranath Tagore)
        • Chapter-8(Rabindranath Tagore)
        • Chapter-9(Rabindranath Tagore)
      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
        • Chapter 2(Nazrul Islam)
        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
        • Chapter-2 Dr. Vicky Gilpin
        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
  • Print Editions