she asked, and I, gathering, did not at once email back but thought of Jemma el-Fnaa square, where small boys wave tissue packets to sell though the practice is to give the child coin, not take the goods; where thin men offer watches, paintings, cigarettes, carved camels, wool caps, and the way to Bahia Palace; where stray cats circle diners’ feet; where old and older beggars stagger, one palm out; where in passing a young man remarks nice bobs; where if a woman sits behind a piece of cloth covered in her wares a man will emerge to talk about price; where the seating of tourists at a food stall inspires the staff to a round of self-gratulatory applause; where English catchphrases-- “Stall 107—our food is heaven!”-- are meant to be bad enough for a laugh; where men draw wooden carts like horses; where horses have neither excess fat nor majesty; where I was a reservoir of money, an infidel, a mosquito-- only the moment’s nuisance.
Previously published in The Weather in Normal
American expatriate Carrie Etter has lived in England since 2001 and teaches creative writing at the University of Bristol. She has published four collections, most recently The Weather in Normal (UK: Seren; US: Station Hill, 2018), and edited Infinite Difference: Other Poetries by UK Women Poets (Shearsman, 2010) and former student Linda Lamus’s posthumous collection, A Crater the Size of Calcutta (Mulfran, 2015). Individual poems have appeared in Boston Review, The Guardian, The New Republic, The New Statesman, The Penguin Book of the Prose Poem, Poetry Review, and The Times Literary Supplement. She also writes short fiction, essays, and reviews.