Every day is a gift wrapped in fading paper Let the surfeit of hours hang over your belt There’s time to get to know your city pared down to the bone Cement and sun construct an oven of unconventional force the puff and blow from its source is all around It knocks the old folk down In spite of the weight that juts out your chin the laden bough of your body never breaks air is the suspension that binds your parts together
Parched grass, parched throats, parched skin etched with stinging salt all need drowning in drink May the road rise up to meet you On paper, we could all be just about perfect: less correct less precise in our direction Scrawl philosophy on a coaster to shred and sleep now for another day’s divining Red wine creates with toothpaste a lavender-tinted foam: the effect is soothing
The year before goes the way of the mandala January blows out the wish that the year ahead will better the one behind Every day is a gift
Note: version of the poem has previously been published in Marrickville Pause.
Making Other Arrangements
Loving the one you’re with relates to objects of misplaced affection some countries too
The glamour of hopping cities becomes a dirty habit kept for the 3AM washroom a naked bulb the only witness
Seeing other people titillates to some extent till you discover they’re all same-same beneath the accents
Settling down is a colonial gamble breaking up is hard to do
your passport just gets caught in the middle
Transients are wanted on posters taped to street signs
visas obtained by dialling the number below
And don’t forget if you download the app a discount applies
Kathryn Hummel is the author of four books of poems, with Lamentville (Math Paper Press), splashback and A Few Franks for Dearest Dominic (Prote[s]xt Books) forthcoming in 2019. Uncollected, her creative and scholarly works have been widely published/presented/translated/anthologised/recognised. Recipient of the NEC/Meanjin Essay Writing Competition prize and the Melbourne Lord Mayor’s Dorothy Porter Award, Kathryn’s writing has been nominated for the Pushcart Prize, The Atlas Review’s Non-Fiction Chapbook award and Overland’s Neilma Sidney Short Story Prize. A former writer/artist in various residences, Kathryn holds a PhD for studies in narrative ethnography and edits non-fiction and travel writing for Australian creative arts journal Verity La.