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      • Sylvia Plath by Dr. Nidhi Mehta >
        • Chapter-1(Sylvia Plath)
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        • Chapter-3(Sylvia Plath)
        • Chapter-4(Sylvia Plath)
        • Chapter-5(Sylvia Plath)
        • Chapter-6(Sylvia Plath)
      • Prose Poems of Tagore by Dr. Bina Biswas >
        • Chapter-1(Rabindranath Tagore)
        • Chapter-2(Rabindranath Tagore)
        • Chapter-3(Rabindranath Tagore)
        • Chapter-4(Rabindranath Tagore)
        • Chapter-5(Rabindranath Tagore)
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        • Chapter-7(Rabindranath Tagore)
        • Chapter-8(Rabindranath Tagore)
        • Chapter-9(Rabindranath Tagore)
      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
        • Chapter 2(Nazrul Islam)
        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
        • Chapter-2 Dr. Vicky Gilpin
        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
  • Print Editions

Poems by Francesca Cricell

​WHERE DO THE SCREAMS GO

I
Inhaling comes first and is mute.
The wait that separates the inhale from the sound is mute.
The nasal cavities open up, the air filters in;
it takes over the mouth – slides down the windpipe;
it splits into the bronchioles, straight into the alveoli.

An inverted tree lives in our chests.
 
II
What cannot be said loosens up from the mouth as wind bubbles in the sea:
the chest, a nocturnal pool, empty and lit up.
The deeper the dive, the faster the sound propagates.
 
III
What cannot be said emerges as volcanic eruptions upon the skin:
a basalt highland.
Some volcanoes have magma that escapes horizontally,
I write a cliff of screams as I walk through a field of obsidian.
 
IV
Why are you screaming, woman?
 
V
The mouth uses all of its instruments:
the tongue, the lips, the teeth, the palate and gums –
everything comes together in order to utter...


VI
What is this silence that takes hold of us?
The tongue touching the teeth, a hive held in by the lips.
 
VII
We are generous; we extend our silence,
our body, our blood
in order for your voices to prevail –
we are generous; we are an echo or a concord.
 
VIII
The field has been taken up by the algae,
the night has brought ice upon it –
it is three o'clock, the last hour of the day.


IX
In a life of multiple migrations,
the arctic tern travels the distance from the Earth to the Moon;
it crosses the Atlantic, from one pole to the other, searching for light.
The arctic terns have a mate, but travelling,
they lose each other.


X
The boats don't reach Iceland, but the Dublin Regulation does.
A continent spends years learning the art of raising walls
                                                                                        – in the water, air or invisible ones.
A twenty-two-year-old man jumped into Gullfoss.
He was from Georgia. Another set himself on fire in front of the Red Cross.
Where do the screams of fire and water go?
                                                              Where do the ones in search of a home go?
 
XI
In Iceland, stationary birds are rare, most are migratory.
There are Oðin's advisors, ink over ice.
There is the lóa that ushers the spring in, lóan er komin –.
The claws leave branches and live on, in an inverted fall.
 
XII
The scream is also
               a kind of flight.

MY TONGUE
 
My tongue here
is mute
or almost so

it is only in silence
that it’s an intimate whisper
the outcome of translation.

My tongue is an inverted flower
a word that means body as well as language
and I can't bridge the two.

*

When you bite a fig
its flesh and essence
it’s like entering a garden of dead wasps

the tongue tasting the plant
its sweet bulge, once waiting to be fertilized.

*

What is this gesture that repeats itself even after 34 million years?

*

When I enter into this language
its ancient essence
I bite into the stone memory inside me

that of language before the teeth
the borderless bulge of my primitive existence.

*

It’s not just when falling that we lose wings
(one must leave them on the outside)
it happens as we slither in through the funnelled corridor
searching for food and perpetuation.

As we penetrate the fig, we give up on flying.

*

In order to dig an exit from the silent vessel
one must have strong jaws
fierce teeth and minute eyes
– one must know how to get around in the darkness.

*

The mint sprout didn't die from being removed from the ground
– it has been living in a vase –
it has invented roots and new leaves.

*

In my city we wait for the frost to undo itself
as tongues wait for teething –
to rub the crowns as they stick out from the gum
be ready to bite –
what is it that lives on beneath the white cloak?
 
Our foreign bodies get ready
(as the wasp mother lays her eggs in the fig)
mint roots
searching for soil.
Picture
​Francesca Cricelli is a poet and literary translator. She holds PhD in Literature and Translation Studies from the University of São Paulo (Brazil) and has published poetry collections Repátria (Demônio Negro, 2015), 16 poemas +1 (Sagarana Forlag, 2017), As cruvas negras da terra (Nosotros, 2019) as well as a book of travel prose, Errância (Macondo, 2019). She has translated the works of Elena Ferrante, Igiaba Scego and Fernando Pessoa and many others. She now lives in Reykjavík, Iceland, to study Icelandic literature and language. The poems here are author’s recreations of the Portuguese originals. 


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​VerseVille (formerly The Enchanting Verses Literary Review) © 2008-2023    ISSN 0974-3057 Published from India. 

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  • Home
  • About Us
    • Contact
    • Media Coverages
    • Copyright Notice
    • VerseVille Blog
  • Submissions
    • Poetry and Essays Guidelines
    • Book Review Guidelines
    • Research Series Guidelines
  • Masthead
  • Editions
    • 2011 Issues >
      • ISSUE-XIV November 2011
    • 2012 Issues >
      • ISSUE-XV March 2012
      • ISSUE-XVI July 2012
      • ISSUE-XVII November 2012
    • 2013 Issues >
      • ISSUE-XVIII April 2013
      • ISSUE XIX November 2013
    • 2014 Issues >
      • ISSUE XX May 2014
    • 2015 Issues >
      • ISSUE XXI February 2015
      • Contemporary Indian English Poetry ISSUE XXII November 2015
    • 2016 Issues >
      • ISSUE XXIII August 2016
      • Poetry From Ireland ISSUE XXIV December 2016
    • 2017 ISSUES >
      • ISSUE XXV August 2017
      • ISSUE XXVI December 2017
    • 2018 ISSUES >
      • ISSUE XXVII July 2018
      • ISSUE XXVIII November 2018
    • 2019 Issues >
      • ISSUE XXIX July 2019
    • 2020 ISSUES >
      • Issue XXX February 2020
      • ISSUE XXXI December 2020
    • 2021 ISSUES >
      • ISSUE XXXII August 2021
    • 2022 ISSUES >
      • ISSUE XXXIII June 2022
      • ISSUE XXXIV December 2022
    • 2023 ISSUES >
      • ISSUE XXXV August 2023
  • Collaborations
    • Macedonian Collaboration
    • Collaboration with Dutch Foundation for Literature
  • Interviews
  • Prose on Poetry and Poets
    • 2010-2013 >
      • Sylvia Plath by Dr. Nidhi Mehta >
        • Chapter-1(Sylvia Plath)
        • Chapter-2(Sylvia Plath)
        • Chapter-3(Sylvia Plath)
        • Chapter-4(Sylvia Plath)
        • Chapter-5(Sylvia Plath)
        • Chapter-6(Sylvia Plath)
      • Prose Poems of Tagore by Dr. Bina Biswas >
        • Chapter-1(Rabindranath Tagore)
        • Chapter-2(Rabindranath Tagore)
        • Chapter-3(Rabindranath Tagore)
        • Chapter-4(Rabindranath Tagore)
        • Chapter-5(Rabindranath Tagore)
        • Chapter-6(Rabindranath Tagore)
        • Chapter-7(Rabindranath Tagore)
        • Chapter-8(Rabindranath Tagore)
        • Chapter-9(Rabindranath Tagore)
      • Kazi Nazrul Islam by Dr. Shamenaz Shaikh >
        • Chapter 1(Nazrul Islam)
        • Chapter 2(Nazrul Islam)
        • Chapter 3(Nazrul Islam)
      • Kabir's Poetry by Dr. Anshu Pandey >
        • Chapter 1(Kabir's Poetry)
        • Chapter 2(Kabir's Poetry)
        • Chapter 3(Kabir's Poetry)
      • My mind's not right by Dr. Vicky Gilpin >
        • Chapter- 1 Dr. Vicky Gilpin
        • Chapter-2 Dr. Vicky Gilpin
        • Chapter-3 Dr. Vicky Gilpin
        • Chapter-4 Dr. Vicky Gilpin
      • On Poetry & Poets by Abhay K.
      • Poetry of Kamla Das –A True Voice Of Bourgeoisie Women In India by Dr.Shikha Saxena
      • Identity Issues in the Poetry of Nissim Ezekiel by Dr.Arvind Nawale & Prashant Mothe*
      • Nissim Ezekiel’s Latter-Day Psalms: His Religious and Philosophical Speculations By Dr. Pallavi Srivastava
      • The Moping Owl : the Epitome of Melancholy by Zinia Mitra
      • Gary Soto’s Vision of Chicano Experiences: The Elements of San Joaquin and Human Nature by Paula Hayes
      • Sri Aurobindo: A Poet By Aju Mukhopadhyay
      • Wordsworthian Romanticism in the Poetry of Jayanta Mahapatra: Nature and the Reflective Capabilities of a Poetic Self by Paula Hayes
      • Reflective Journey of T.S. Eliot: From Philosophy to Poetry by Syed Ahmad Raza Abidi
      • North East Indian Poetry: ‘Peace’ in Violence by Ananya .S. Guha
    • 2014-2015 >
      • From The Hidden World of Poetry: Unravelling Celtic mythology in Contemporary Irish Poetry Adam Wyeth
      • Alchemy’s Drama: Conflict, Resolution and Poiesis in the Poetic Work of Art by Michelle Bitting
      • Amir Khushrau: The Musical Soul of India by Dr. Shamenaz
      • PUT YOUR HANDS ON ME: POETRY'S EROTIC ART by Elena Karina Byrne
      • Celtic and Urban Landscapes in Irish Poetry by Linda Ibbotson
      • Trickster at the African Crossroads and the Bridge to the Blues in America by Michelle Bitting
    • 2015-2016 >
      • Orogeny/Erogeny: The “nonsense” of language and the poetics of Ed Dorn T Thilleman
      • Erika Burkart: Fragments, Shards, and Visions by Marc Vincenz
      • English Women Poets and Indian politics
    • 2016-2017 >
      • Children’s Poetry in India- A Case Study of Adil Jussawalla and Ananya Guha by Shruti Sareen
      • Thirteen Thoughts on Poetry in the Digital Age by Mandy kAHN
    • 2017-2018 >
      • From Self-Portrait with Dogwood: A Route of Evanescence by Christopher Merrill
      • Impure Poetry by Tony Barnstone
      • On the Poets: Contributors in Context by Donald Gardner
      • Punching above its Weight: Dutch Poetry in English, a Selection, 2013-2017 by Jane Draycott
  • Print Editions